Ali Cherri participates in the collective exhibition La vie des tables at the Centre d’art contemporain d’Ivry – le Crédac, coproduced by Festival d’Automne à Paris, cur. Claire Le Restif.
“Whether in the kitchen, workshop or office, tables embody the place where intuitions take shape and are sometimes the only place where artists can work. La vie des tables pays tribute to this relationship with the “work table” – a place of refuge, play-area and obligatory passing-place.”
Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine, France
Image: Ali Cherri, La Mort dans l’âme, 2020, Photo: Marc Domage / le Crédac
James Webb participates in freq_wave: 7 seas, a collaborative, online sound installation conceptualised and curated by Carl Michael von Hausswolff, co-curated by Alonso Vázquez, and supported and commissioned by the TBA21 Academy.
Like a sonic cadavre exquis, each freq_wave is formed from the work of 12 artists invited to compose audio pieces within separate, strict frequency bands. The pieces are made in isolation to one another and are brought together in the environment of an online mixing desk where the audience can perform the 12 compositions simultaneously. For this, the fourth iteration, all the audio has been created with, and in response to the conceptual and auditory dynamics of the Mid-Atlantic Ocean.
Participating artists: Christina Kubisch, Stephen O’Malley, Thierry Charollais, Felix Blume, James Webb, Christine Ödlund, Tim Story, Christopher Chaplin, Mike Harding, Schneider TM, Jacob Kirkegaard, and Kent Tankred.
Eye presents a group exhibition that explores landscape with some of the Arab world’s most prominent artists who work with film and video. In this exhibition, the participating artists challenge and reshape views of the region by drawing on a host of complex and entangled issues, ranging from geography and conflict to belonging. Including works by Basel Abbas & Ruanne Abou Rahme, Heba Y. Amin, Jananne Al-Ani, Ali Cherri, Joana Hadjithomas & Khalil Joreige, Mohamad Hafeda, Larissa Sansour, Hrair Sarkissian, and Wael Shawky.
Curated by Nat Muller in collaboration with Jaap Guldemond and Marente Bloemheuvel.
Image: Ali Cherri, Trembling Landscape (Mekkah), (Algiers), (Erbil) and (Tehran), 2014. Installation view of But a Storm is Blowing from Paradise, Galleria d’Arte Moderna, Milan, 2018.
Sammy Baloji, Mohssin Harraki and Younès Rahmoun are taking part in the exhibition Global(e) Resistance, pour une histoire engagée de la collection contemporaine, de Jonathas de Andrade à Billie Zangewa, cur. by Christine Macel, Alicia Knock and Yung Ma.
The exhibition Global(e) Resistance unveils for the first time the works of more than sixty artists gathered over the last decade, the majority of whom come from the Global South (Africa, Middle East, Asia, Latin America) and aims to examine contemporary strategies of resistance.
Global(e) Resistance also poses theoretical questions that range from the articulation of aesthetics and politics to the very relationship between the museum and politics within the art world.
Musée national d’art moderne/Centre Pompidou, Paris, France
Image: Younès Rahmoun, Ghorfa-Janna (House-Paradise), 2015
James Webb participates in Audiosphere. Sound Experimentation 1980-2020 with a new commissioned work, cur. Francisco López.
The exhibition “looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.”
The Rmn – Grand Palais is taking part in the Africa 2020 Season by inviting the artist Sammy Baloji to create two exceptional sculptures for the pedestals of the facade of the Grand Palais, on the Champs-Elysées-Clemenceau side., cur. Chris Deacon.
Image: Sammy Baloji, Johari – Brass Band, 2020. © Collection Grand Palais, photo Didier Plowy
Sammy Baloji and Sinzo Aanza are taking part in the collective exhibition Kinshasa, la ville vue par ses artistes contemporains, cur. : Dominique Malaquais, Sébastien Godret, Fiona Meadows, Claude Allemand, and Éric Androa Mindre Kolo.
Cité de l’architecture & du patrimoine, Paris, France — co-produced with MIAM, Sète
Image: Sinzo Aanza, Épreuve d’allégorie, 2017. ph. Gaston Bergeret – Cité de l’architecture et du patrimoine, Paris, 2020.
The Kunstmuseum Ravensburg is showing for the first time in Germany the haunting sound and light installation The Way Earthly Things Are Going by Emeka Ogboh which the Nigerian artist conceived for documenta 14 in Athens in 2017.
Image: Emeka Ogboh, The Way Earthly Things Are Going, Kunstmuseum Ravensburg, 2020. Photo © Wynrich Zlomke
February & June 2020: sessions of Ateliers de la Biennale
January & February 2021: Biennale Yango II
The biennial will discuss new paths for art with the city of Kinshasa, whose geographical and symbolic immensity mirrors the immensity of the Congo itself, as a physical and imaginary territory, fantasized and repulsive, overwhelming and desired. Its creative energy and inexhaustible vitality are an ideal setting for artistic creation, for which the city is known as one of the breeding grounds on the African continent.
Cur. Nadia Yala Kisukidi and Sara Alonso Gómez
Kinshasa, DR Congo
Alia Farid’s At the Time of the Ebb is part of the new collections’ display of the Bonnefantenmuseum: Beating around the bush #6: Scenes from the Anthropocene. Since 2014, the Bonnefanten has been presenting its collection in an explorative way in the exhibition programme Beating around the bush. In different episodes, both the fixed values and the ‘quiet reserve’ of the collection are brought into dialogue with new and proposed acquisitions.
Bonnefantenmuseum, Maastricht, The Netherlands
Alia Farid, At the Time of the Ebb, Witte de With Center for Contemporary Art, Rotterdam. Photo: Kristien Daem.
The exhibition presents works from the MMK collection ranging in date from the early 1960s to the present, including some of the museum’s newest acquisitions.
TOWER MMK, TaunusTurm, Frankfurt am Main
Image: Sammy Baloji, Tales of the Copper Cross Garden: Episode I, 2017, MUSEUM MMK FÜR MODERNE KUNST, photo: Axel Schneider
Ali Cherri participates in the collective exhibition Comme un parfum d’aventure at macLYON, cur. by Marilou Laneuville and Matthieu Lelièvre.
“”With a Hint of Adventure” is an exhibition directly inspired by the recent collective, worldwide experience of confinement, which was imposed more or less simultaneously for health reasons on the majority of people on the planet. Its main thrust is an exploration of the question of travel, whether impeded or imposed, voluntary or provoked, individually or in a group, and the consequences of it for those affected. It takes the form of an investigation across history, drawing on the collections of the Lyon Musée des Beaux-Arts and the Musée d’Art Contemporain (macLYON)”
macLYON, Lyon, France
Image: Ali Cherri, The Flying Machine, 2017. Installation view: MACLyon, 2020 © Photo Blaise Adilon.