In Copper thread, Rubber thread, Sugar thread, artist and filmmaker Sammy Baloji (1978, DR Congo) invites visitors to reconsider the history of colonial exploitation in Central Africa and the traces it continues to leave today. Through tapestries and sound installations, he brings together recent works in which material, image and voice are closely interwoven. Many of the works on view have never before been presented in Belgium.

En mettant en dialogue des photographies d’environnements, de paysages et de portraits avec des récits autobiographiques et des archives familiales ou européennes, « Paysage Prisme : une traversée katangaise » confronte les points de vue et propose une alternative aux récits dominants des dernières décennies sur l’histoire du Congo et de ses frontières héritées de la colonisation. Sammy Baloji crée ainsi une confrontation sensible et subjective entre grande histoire et micro-histoires : celles de la famille de l’artiste, celles des acteurs et victimes de la sécession katangaise et des deux guerres du Shaba, ainsi que celles, contemporaines, du Congo face à l’extractivisme du capitalisme mondial.

The 61st International Art Exhibition of La Biennale di Venezia, In Minor Keys by Koyo Kouoh, will run from Saturday 9 May to Sunday 22 November 2026 at the Giardini, the Arsenale and in various locations around Venice. The pre-opening took place on May 6, 7, and 8. The International Jury was announced in April. The Golden Lions for Lifetime Achievement will not be awarded this year, as Koyo Kouoh was unable to finalize them.

The Democratic Republic of the Congo will present its National Pavilion at the 61st International Art Exhibition – La Biennale di Venezia. Opening to the public on 9 May 2026, the Pavilion will be hosted in the Refettorio Antico of the Museo Scuola Grande di San Marco in Venice.

The trilingual title, in Lingala, English and French, reflects a vision rooted in Congolese languages and cosmologies while addressing a global audience. It affirms the circulation of African imaginaries beyond borders and across generations. Fire can burn and destroy, but when harnessed, as a blacksmith does, it transforms, shapes and creates. Seizing the fire becomes an imperative to bring forth the world.

Curated by Nadia Yala Kisukidi, together with the MOKO collective, a multidisciplinary team composed of Aimé Mpané, Jean Kamba and Johnny Leya, the Pavilion adopts a deliberately collaborative model merging philosophical, artistic and architectural perspectives. Nine artists from the Democratic Republic of the Congo and its diaspora are presented in the Pavilion: Aimé Mpané, Sammy Baloji, Arlette Bash