Alia Farid’s first solo exhibition in the Netherlands, cur. by Rosa de Graaf, with a new commission in partnership with The Power Plant Contemporary Art Gallery, Toronto, Canada, and Contemporary Art Museum St. Louis, United States.

Alia Farid is taking part in the collective exhibition Never Spoken Again: Rogue Stories of Science and Collections, cur. David Ayala-Alfonso, prod. Independent Curators International (ICI)
MSU Broad, East Lansing, USA

Alia Farid is taking part in the collective exhibition Glass and Concrete – Manifestations of the Impossible, cur. Friederike Fast
Marta Herford, Museum für Kunst, Architektur, Design, Herford, Germany

Alia Farid’s At the Time of the Ebb is part of the new collections’ display of the Bonnefantenmuseum: Beating around the bush #6: Scenes from the Anthropocene. Since 2014, the Bonnefanten has been presenting its collection in an explorative way in the exhibition programme Beating around the bush. In different episodes, both the fixed values and the ‘quiet reserve’ of the collection are brought into dialogue with new and proposed acquisitions.
Bonnefantenmuseum, Maastricht, The Netherlands

Cinema platform Vdrome is screening Alia Farid’s At the Time of the Ebb (2019), commissioned by Sharjah Art Foundation, with a conversation between the artist and curator Claire Tancons.

Imane Farès s proud to announce its participation to the 7th edition of Paris Gallery Weekend, the annual highlight of modern and contemporary art in Paris.
Some forty modern and contemporary art galleries warmly invite you to discover their exhibitions around a rich and festive programme that fosters encounters with art world key players. Routes are designed to guide visitors from one gallery to another.

The 5th edition of SI’s annual Architecture and Design Series, entitled The Space Between Classrooms, is curated by artist Alia Farid. The exhibition will feature newly commissioned as well as existing works that respond to educational infrastructures, interrogate prescribed learning, and seek to redraw parameters of knowledge.
With works by: Olga Casellas, Marco Abarca, Khalid Al Gharaballi, Alfred Roth, Nuria Montiel, Mohamed Bourouissa, Sofía Olascoaga, Atelier Aziz Alqatami, Gala Porras-Kim, Abdullah Al Mutairi, Jumana Manna, Haig Aivazian, Oscar Murillo, and Cecilia Vicuña

“Dos Instalaciones” present two strong and complex installations with a vibrant spatial presence. Stemming from different political, historical and sentimental contexts, each work highlights a crisis of a failing idea of modernism and the consequences therefore, we have to face nowadays. They remind us of an urgency, fragility and a lack of balance.
Espacio Temporal is an independent exhibition space that aims to create dialogues between contemporary artistic practices from Latin America and the Caribbean with the European context. Espacio Temporal, an initiative of Sofía Lanusse and Iván Argote since 2019, is installed inside Argote’s studio in Pantin.

The exhibition features a video art piece created by Alia Farid as a commission for the Sharjah biennial. To capture the piece, the artist travelled hundreds of kilometres from the tip of the Arabian peninsula all the way to the Iranian Island of Qeshm during the celebration of Nowruz Sayadeen, the “Fisherman’s new year”. On this day all fishing activities —a symbol of the village’s livelihood— stop as a tribute to nature.

For this landmark tenth edition, QAGOMA’s Asia Pacific Triennial looks to the future of art and the world we inhabit together. It’s rich with stories of how to navigate through time and space, reimagine histories and explore connections to culture and place.
‘The 10th Asia Pacific Triennial of Contemporary Art’ (APT10) will include 69 projects with new and recent work by emerging and established artists and collectives, together comprising more than 150 individuals from 30 countries. It includes works of art that are by turn highly personal, deeply political, and full of joy.

For her first institutional presentation in Switzerland, the Kuwaiti Puerto Rican artist crafts a monumental installation of new work, bringing disparate sites in relation to each other so as to imagine a transregionalism that belies national boundaries drawn on land.