Sammy Baloji, Ali Cherri, James Webb

FIAC Online Viewing Rooms

2 — 7 mars 2021

[Info] [retour]
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès
Chargement... FIAC Online Viewing Rooms - Galerie Imane Farès

Ali Cherri, The Crow, the Owl and Other Birds, 2018
Five etchings on paper, oak frame
29 x 21 cm (each). Edition of 5 + 2 AP. Available: 3/5

[+]

Ali Cherri, The Crow, the Owl and Other Birds, 2018
Five etchings on paper, oak frame
29 x 21 cm (each). Edition of 5 + 2 AP. Available: 3/5

[-]

Ali Cherri, Grafting (F), 2018.
Terracotta statue representing a sphinx, Nok Civilization, ca. 500 BCE, taxidermy head of a roe deer, ca. 1950
36 x 13 cm. Unique

[+]

Ali Cherri, Grafting (F), 2018.
Terracotta statue representing a sphinx, Nok Civilization, ca. 500 BCE, taxidermy head of a roe deer, ca. 1950
36 x 13 cm. Unique

[-]

Ali Cherri, Grafting (J) [detail], 2019.
Head of Lobi protection figure, sandstone Buddha bust from Thailand, Ayuthaya Kingdom, 15th century, wooden base
40 x 22 x 15 cm (without base). Unique

[+]

Ali Cherri, Grafting (J) [detail], 2019.
Head of Lobi protection figure, sandstone Buddha bust from Thailand, Ayuthaya Kingdom, 15th century, wooden base
40 x 22 x 15 cm (without base). Unique

[-]

Ali Cherri, Hybrids (E), 2018.
Indus Valley painted terracotta bowl, porcelain fragment, granite base
18 x 12 x 6 cm. Unique

[+]

Ali Cherri, Hybrids (E), 2018.
Indus Valley painted terracotta bowl, porcelain fragment, granite base
18 x 12 x 6 cm. Unique

[-]

James Webb, I do not live in this world alone, but in a thousand worlds (A Comet is Coming), 2018.
Three texts written on soluble paper, dissolved in water, and presented in 3 glass vials (found objects)
20 x 40 x 18 cm. Unique

[+]

James Webb, I do not live in this world alone, but in a thousand worlds (A Comet is Coming), 2018.
Three texts written on soluble paper, dissolved in water, and presented in 3 glass vials (found objects)
20 x 40 x 18 cm. Unique

[-]

James Webb, I do not live in this world alone, but in a thousand worlds (Alma’s story), 2019.
One text written on soluble paper, dissolved in water, and presented in a glass vial (found object)
16 x 10 (diam.) cm. Unique

[+]

James Webb, I do not live in this world alone, but in a thousand worlds (Alma’s story), 2019.
One text written on soluble paper, dissolved in water, and presented in a glass vial (found object)
16 x 10 (diam.) cm. Unique

[-]

James Webb, There is a light that never goes out (Farsi), 2020.
8mm glass tubing in ‘sky white’
Site-specific / 30 x 300 cm approx. Edition of 1 + 1 AP. Available: 1/1

[+]

James Webb, There is a light that never goes out (Farsi), 2020.
8mm glass tubing in ‘sky white’
Site-specific / 30 x 300 cm approx. Edition of 1 + 1 AP. Available: 1/1

[-]

Sammy Baloji. Hans Himmelheber, The long building of the circumcision camp can be seen behind the mask, DR Congo, Pende region, 1939, scan of the inside of a Songye power figure, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
204 x 83 cm. Edition of 5 + 1 AP. Available: 1/5

[+]

Sammy Baloji. Hans Himmelheber, The long building of the circumcision camp can be seen behind the mask, DR Congo, Pende region, 1939, scan of the inside of a Songye power figure, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
204 x 83 cm. Edition of 5 + 1 AP. Available: 1/5

[-]

Sammy Baloji, Hans Himmelheber, Portrait of his shadow, DR Congo, Kingulu, June 18, 1938, scan of a Chalcopyrite from Kipushi mine, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
50 x 50 cm. Edition of 5 + 1 AP. Available: 3/5

[+]

Sammy Baloji, Hans Himmelheber, Portrait of his shadow, DR Congo, Kingulu, June 18, 1938, scan of a Chalcopyrite from Kipushi mine, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
50 x 50 cm. Edition of 5 + 1 AP. Available: 3/5

[-]

Sammy Baloji, Hans Himmelheber, Monument, DR Congo, Kinshasa, 1938, scan of a Chalcopyrite from Kipushi mine, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
50 x 70 cm. Edition of 5 + 1 AP. Available: 2/5

[+]

Sammy Baloji, Hans Himmelheber, Monument, DR Congo, Kinshasa, 1938, scan of a Chalcopyrite from Kipushi mine, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
50 x 70 cm. Edition of 5 + 1 AP. Available: 2/5

[-]
FIAC Online Viewing Rooms - Galerie Imane Farès

Ali Cherri, The Crow, the Owl and Other Birds, 2018
Five etchings on paper, oak frame
29 x 21 cm (each). Edition of 5 + 2 AP. Available: 3/5

FIAC Online Viewing Rooms - Galerie Imane Farès

Ali Cherri, Grafting (F), 2018.
Terracotta statue representing a sphinx, Nok Civilization, ca. 500 BCE, taxidermy head of a roe deer, ca. 1950
36 x 13 cm. Unique

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

Ali Cherri, Grafting (J) [detail], 2019.
Head of Lobi protection figure, sandstone Buddha bust from Thailand, Ayuthaya Kingdom, 15th century, wooden base
40 x 22 x 15 cm (without base). Unique

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

Ali Cherri, Hybrids (E), 2018.
Indus Valley painted terracotta bowl, porcelain fragment, granite base
18 x 12 x 6 cm. Unique

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

James Webb, I do not live in this world alone, but in a thousand worlds (A Comet is Coming), 2018.
Three texts written on soluble paper, dissolved in water, and presented in 3 glass vials (found objects)
20 x 40 x 18 cm. Unique

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

James Webb, I do not live in this world alone, but in a thousand worlds (Alma’s story), 2019.
One text written on soluble paper, dissolved in water, and presented in a glass vial (found object)
16 x 10 (diam.) cm. Unique

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

James Webb, There is a light that never goes out (Farsi), 2020.
8mm glass tubing in ‘sky white’
Site-specific / 30 x 300 cm approx. Edition of 1 + 1 AP. Available: 1/1

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

Sammy Baloji. Hans Himmelheber, The long building of the circumcision camp can be seen behind the mask, DR Congo, Pende region, 1939, scan of the inside of a Songye power figure, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
204 x 83 cm. Edition of 5 + 1 AP. Available: 1/5

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

Sammy Baloji, Hans Himmelheber, Portrait of his shadow, DR Congo, Kingulu, June 18, 1938, scan of a Chalcopyrite from Kipushi mine, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
50 x 50 cm. Edition of 5 + 1 AP. Available: 3/5

FIAC Online Viewing Rooms - Galerie Imane Farès Chargement...

Sammy Baloji, Hans Himmelheber, Monument, DR Congo, Kinshasa, 1938, scan of a Chalcopyrite from Kipushi mine, and your reflection in the mirror, 2020
UV Print on mirror 4 mm, frame in polished brushed brass
50 x 70 cm. Edition of 5 + 1 AP. Available: 2/5

FIAC Online Viewing Rooms
Graftings
Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H), Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (A)

Graftings - Galerie Imane Farès

Grafting (A)

Graftings - Galerie Imane Farès

Grafting (B)

Graftings - Galerie Imane Farès

Grafting (D)

FIAC Online Viewing Rooms
Graftings
Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H), Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (H), Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (I)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (G), Grafting (H)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (C)
Vue d’exposition : Phantom Limb, Jameel Arts Centre, 2019

Graftings - Galerie Imane Farès

Grafting (A)

Graftings - Galerie Imane Farès

Grafting (A)

Graftings - Galerie Imane Farès

Grafting (B)

Graftings - Galerie Imane Farès

Grafting (D)

FIAC Online Viewing Rooms
Hybrids
Hybrids - Galerie Imane Farès

Hybrid (A)

Hybrids - Galerie Imane Farès

Hybrid (A)

Hybrids - Galerie Imane Farès

Hybrid (I)

Hybrids - Galerie Imane Farès

Hybrid (I)

Hybrids - Galerie Imane Farès

Hybrid (I)

Hybrids - Galerie Imane Farès

Hybrid (H)

Hybrids - Galerie Imane Farès

Hybrid (H)

Hybrids - Galerie Imane Farès

Hybrid (H)

Hybrids - Galerie Imane Farès

Hybrid (G)

Hybrids - Galerie Imane Farès

Hybrid (G)

Hybrids - Galerie Imane Farès

Hybrid (F)

Hybrids - Galerie Imane Farès

Hybrid (F)

Hybrids - Galerie Imane Farès

Hybrid (F)

Hybrids - Galerie Imane Farès

Hybrid (E)

Hybrids - Galerie Imane Farès

Hybrid (E)

Hybrids - Galerie Imane Farès

Hybrid (D)

Hybrids - Galerie Imane Farès

Hybrid (D)

Hybrids - Galerie Imane Farès

Hybrid (C)

Hybrids - Galerie Imane Farès

Hybrid (C)

Hybrids - Galerie Imane Farès

Hybrid (B)

Hybrids - Galerie Imane Farès

Hybrid (B)

Hybrids - Galerie Imane Farès

Hybrid (B)

Hybrids - Galerie Imane Farès

Hybrid (B)

Hybrids - Galerie Imane Farès

Hybrid (E), Hybrid (J), Hybrid (K)
Vue d’exposition © of Para Site. Photo : Eddie Lam, Image Art Studio

Hybrids - Galerie Imane Farès

Hybrid (E), Hybrid (K), Hybrid (J)
Vue d’exposition © of Para Site. Photo : Eddie Lam, Image Art Studio

FIAC Online Viewing Rooms
I do not live in this world alone, but in a thousand worlds
FIAC Online Viewing Rooms
I do not live in this world alone, but in a thousand worlds
FIAC Online Viewing Rooms
There is a light that never goes out (Arabic version)
There is a light that never goes out (Arabic version) - Galerie Imane Farès
There is a light that never goes out (Arabic version) - Galerie Imane Farès
There is a light that never goes out (Arabic version) - Galerie Imane Farès
FIAC Online Viewing Rooms
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès
Kasala, The Slaughterhouse of Dreams or the First Human, Bende’s Error - Galerie Imane Farès